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Chocolate Cities: The Black Map of American Life
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Review
"A very smart new book by two culturally agile sociologists. . . . While Chocolate Cities is a story of inventive adaption, fierce survival and Black joy, it is also a history of trauma and communities under siege. This book stands as a witness to the investment of struggle, skill and resources it has taken to build and sustain chocolate cities. It is also a testament to the criminal failure of America to see and honor these essential points on the map." (Kalamazoo College/Praxus Center)“If Chocolate Cities were itself made of chocolate, it would come in a variety of forms: the central theses of the book like unsweetened cacao nibs, true and deep-flavored, long-lasting, challenging, surprising. Census data as chocolate bar, scored into bite-size forms. Musical references like the aroma of chocolate, wafting through the room. And the personal stories Robinson and Hunter delve into are multi-layered, well-baked undertakings.” (Memphis: The City Magazine)"Hunter and Robinson have set out a marker for thinking differently about black people in urban America." (PopMatters)"Hunter and Robinson offer an insight into the ways black folks have eked out a social world regardless of the racism, segregation, and brutality often concomitant in cities across the North American experience. ... For undergraduates, graduates, and any lay reader interested in black life in the US." (CHOICE 2018-07-01)
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From the Inside Flap
“A masterpiece! Chocolate Cities is a testament to the magic that is possible when you combine the funky wisdom of the Mothership with the best scholarship from the Ivory Tower.”— George Clinton, Rock & Roll Hall of Fame musician and founder of Parliament Funkadelic “Chocolate Cities is simply the most instructive and illuminating book on American geography and culture I have ever read. Hunter and Robinson pull no punches and sacrifice no nuance in countering traditional hegemonic notions of race, space, and movement with loving, textured Black American notions of race, space, and movement. Chocolate Cities is a critical occasion to rethink everything we thought we knew about American space and spatial liberation.”— Kiese Laymon, author of Long Division“A significant, timely, and provocative race-based social mapping of the United States, reflecting a sense of the everyday lives of African Americans. These masterful sketches, rooted in oral history and illuminated by poetry, music, fiction, and film, make it an extraordinary book that needs to be read and considered far beyond the academy.”—Elijah Anderson, Yale University, author of The Cosmopolitan Canopy: Race and Civility in Everyday Life “Chocolate Cities is bold on too many levels to name. It rethinks our standard notions of geography, data, history, academic discipline, and theory. It sings and dances off the page. Chocolate Cities kicks up enough funk to provoke a major paradigm shift in research on Black places.”—Mary Pattillo, author of Black on the Block: The Politics of Race and Class in the City "Chocolate Cities is a terrific contribution to our understanding of the role of expressive culture in remapping the boundaries of racialized space. In it, we learn both about the legacies of structural racism and how black communities responded creatively to it to build solidarity, foster black joy, and resist oppression through an intersectional fight for humanity waged from coast to coast, in big cities and small towns, on trains, planes, and buses, in songs and on the page, in the church, in the courts, and in the streets."—Tricia Rose, Brown University “In one of the most original treatments of the urban I have read in decades, Hunter and Robinson overturn the dominant social science imaginary that see ‘inner’ cities only in crisis, chaos, and decline. Theirs is a sociological imagination constructed from the eyes, ears, hearts, memories, songs, and prayers of real city folk, those Black communities who cling to their village, continually remake their culture, and build power to beat back the chaos imposed on them. This is what it means to live in a Chocolate City. Chocolate, after all, is more than a color.”—Robin D. G. Kelley, author of Freedom Dreams: The Black Radical Imagination “Modeling the very best of collaborative research and writing, Chocolate Cities is a brilliant, creative, and innovative work. The authors engage the rich literary and musical heritage that black city dwellers have bequeathed the world while building upon and extending the best social science and humanities scholarship. Hunter and Robinson offer us a beautifully written work that is sure to become an influential classic in the fields of Sociology, American Studies, African American Studies, and beyond.”—Farah Jasmine Griffin, Director, African American Studies, Columbia University “Hunter and Robinson offer an iteration of black thought that explores how black life—as song and tune, as fight and struggle—is necessarily geographic life. Here, threads of black geographies emerge across and underneath prevailing cartographies—within the USA while also reaching out to touch other global diasporic sites—to show that the black imagination is tied to place-making practices. Powerfully, the authors write black geographies and chocolate cities as ‘living geographies’—sites shaped by brutal and unforgiving racial economies that engender creative praxis and freedom struggle.”—Katherine McKittrick, author of Demonic Grounds: Black Women and the Cartographies of Struggle “Rarely does a book disrupt existing paradigms and displace dominant narratives. This is exactly what Hunter and Robinson achieve in Chocolate Cities. This book changes the ways we understand Black and White Americans in profound ways, especially how they experience and define themselves according to geographic regions throughout the United States. This book creatively weaves together data from rich and untapped sources to tell a unique American story. A must read for all who wish to rethink current racial dynamics in America and unravel them in fresh new ways.”—Aldon Morris, author of The Scholar Denied: W. E. B. Du Bois and the Birth of Modern Sociology
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Product details
Paperback: 310 pages
Publisher: University of California Press; First edition (January 16, 2018)
Language: English
ISBN-10: 0520292839
ISBN-13: 978-0520292833
Product Dimensions:
6 x 0.8 x 9 inches
Shipping Weight: 14.9 ounces (View shipping rates and policies)
Average Customer Review:
4.3 out of 5 stars
9 customer reviews
Amazon Best Sellers Rank:
#47,478 in Books (See Top 100 in Books)
Unapologetically black and full of facts. This book is beyond awesome. Prepare yourself to learn about the black footprint in America in a very clever and appeasing way. The educated and creative use of song lyrics to set the stage of each era will have your mind wandering back to time in your life giving you memories while politely interjecting to drop some knowledge on you. If you read and enjoyed Black City Makers then you will love Chocolate Cities. This book is pure genius, one that people of all races should read but especially important to us chocolate folk. As they say, we need to know our history in order to prepare for our future.
heard good reviews on npr. can’t wait to read.
Excellent writer, easy reading, I love it
Excellent
Too broad a topic for the attempt, really, and too hit-or-miss to be a geographical study of communities. Even the major ones pass by in the blink of an eye. That said, the particular points of interest are excellent but the authors have taken on more than then they can handle. Where are George S. Schuyler's vintage observations or Rudolph Fisher's fictional treatment of geographic mobility ("Dust" 1931)? The Negro Press is overlooked too, a shame when Enoch P. Waters (Chicago Defender) wrote his autobio, Roland E. Wolseley's "Black Press USA," and other materials are out there. But you'll learn lots from the book ~ no spoilers from me here - so buy it and read it!
I loved the book, very interesting & insightful! Worth every cent.
Wonderful read ! I highly recommend this book!
for $76.- you would have thought it could have at least had a jacket on it. too expensive.
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